Lilac Flower

Water World Frenzy Summer Party Time — Ocean Park Hong Kong

A multi-attraction park with one summer window to make its number. Teenagers want a cultural moment. Families need it to feel safe. The same image had to do both — at the same time.

Client

Client

Ocean Park Hong Kong

Ocean Park Hong Kong

Deliverables

Deliverables

Branding Art & Design Direction Motion Web design

Branding Art & Design Direction Motion Web design

Role

Role

Senior Art Director

Senior Art Director

Year

Year

2024

2024

Water World is Ocean Park's all-weather water attraction, competing for attention against Hong Kong Disneyland, mainland mega-parks, and a generation that would rather post a story than visit a theme park. The 2024 summer campaign had to convert peak-season foot traffic at scale. Our remit was the idea and visual identity — the Master KV and the campaign film that every downstream channel would hang on.


The Real Problem

Theme parks have a packaging problem. They sell separate attractions when audiences buy one feeling — "today we go all out." A campaign that lists rides loses to a campaign that promises a vibe. The added twist: the audience splits in two. Teenagers want to be part of a cultural moment. Families need to feel it's safe to bring kids. The same KV had to hold both — and keep multiple key attractions visible inside one frame without anything getting buried.

Water World is Ocean Park's all-weather water attraction, competing for attention against Hong Kong Disneyland, mainland mega-parks, and a generation that would rather post a story than visit a theme park. The 2024 summer campaign had to convert peak-season foot traffic at scale. Our remit was the idea and visual identity — the Master KV and the campaign film that every downstream channel would hang on.


The Real Problem

Theme parks have a packaging problem. They sell separate attractions when audiences buy one feeling — "today we go all out." A campaign that lists rides loses to a campaign that promises a vibe. The added twist: the audience splits in two. Teenagers want to be part of a cultural moment. Families need to feel it's safe to bring kids. The same KV had to hold both — and keep multiple key attractions visible inside one frame without anything getting buried.

Positioned the park as a "High-Energy Content Hub" and built the visual platform around the "Frenzy Summer Party" theme — turning a day at the park into an unmissable urban moment, not a brochure of rides.

The Master KV — comic-style collage. A composition system that let me layer Rainbow Rush, Water Battle, and tonal energy into one frame — chaotic in feeling, ordered in structure. Loud enough for Gen Z, legible enough for families. Same image, two reads. The identity carried cleanly from out-of-home to in-park decoration without rebuilding.



The campaign film. Art direction built around kinetic, fast-cut movement — captured the raw energy of the water games and shaped it for the way younger audiences actually consume content. Less brochure, more content drop. Built to live on YouTube and earn its own audience there.

1.9 Million

1.9 Million

Views

Views

The Master KV deployed across MTR OOH, digital billboards, and on-site park decoration — holding the campaign together across every touchpoint, with families and teens both seeing themselves in the same frame.